Have an Enchanted Encore Birthday with Fairytale Royalty!
April 26, 2013
It’s Princess Briar Rose’s birthday in the Kingdom of NeverNod, and you can join in on the birthday adventure! Encore Stage & Studio presents Sleeping Beauty this June, and you too can celebrate your birthday like a princess!
Click here to read the full press release for Sleeping Beauty.
Encore Stage & Studio provides birthday party packages that includes a party room rental before the performance, and an exclusive backstage tour(for ages 8 and up) or cast and crew questions & answer session(for ages 7 and younger). In addition, your child’s birthday will be announced to the entire audience before the start of the show! Our birthday package is only $50. Click here for a birthday party reservation form. For a group of 10 or more, parties can take advantage of our group discount of $8 per ticket.
I highly recommend that you consider this for your next birthday celebration–you won’t be disappointed, I know I wasn’t!”
One parent shares her daughter’s Encore birthday experience:
“I was thrilled to have my daughter’s 8th birthday celebration with Encore Stage and Studio during their musical production of Honk, Jr. It was a fabulous experience from beginning to end because it was easy and so different, allowing the kids exposure to theater and turning the families invited on to a local children’s theater group that many did not know about. The party with Encore is simple to arrange and exciting because not only did we celebrate with cake and punch in the cafeteria area designated for our party space (you can decorate, use table cloths, have food, bring balloons, etc.) but the kids also got a backstage tour of the dressing room area, stage, props used, lighting and they were able to ask questions about theater in general and the show.
Encore provided a helper assigned to help get the kids to the back stage tour in a timely manner and directed us to the stage when it was time to end the party and go to show. Additionally you can add to your birthday celebration the cast to sing Happy Birthday to your child which is very special allowing the kids to see the actors in costume. I found the Birthday Party package to be reasonable and it was nice to receive a discount on the ticket price as I purchased a group of tickets. Encore has a wonderful staff to work with who made the birthday party easy and tons of fun. I highly recommend that you consider this for your next birthday celebration–you won’t be disappointed, I know I wasn’t!”
–Jane Mack, Parent
Click here to view our performance dates and showtimes for Sleeping Beauty.
Encore’s 2013 Sunny Side Up Breakfast – A Truly Sunny Event!
April 10, 2013
For the first time in three years, the weather had finally complemented our annual Sunny Side Up Benefit Breakfast, truly making it a “sunny” event. On Tuesday, April 9, 2013, friends and supporters celebrated Encore Stage & Studio’s 46 years of serving and inspiring children in the community. The breakfast was hosted by Helen Hayes Award-Winning Actress Erin Driscoll, with special remarks from Mark Longo, Chair, Arlington Commission for the Arts and Encore Stage & Studio participants.
Encore Stage & Studio also honored Rebecca Mann with the 2013 Celeste Groves Award recipient for outstanding volunteer. The Board of Directors established this annual award in honor of long-time Executive Producer Celeste Groves, whose “celestial” record of 30 plus years volunteering for our organization gives us all a high standard to live up to.
Nora Walls, who will be attending University of Virginia in the fall, shared with us her favorite Encore experiences and memories, including her favorite role in the production, The Little Mermaid. Nora started participating with Encore Stage & Studio at the age of 9.
“…Your donation today will make a world of difference to our organization and support students like me to achieve our dreams, both on and off stage.”
Thomas Schindler, a current Encore participant, shared with us the top 5 reasons to donate to Encore Stage & Studio’s mission. “The number one reason to give to Encore? Drumroll please… Because when I win a Tony award you’ll want me to remember you in my acceptance speech, right?” said Thomas jokingly. “Seriously, your donation today will make a world of difference to our organization and support students like me to achieve our dreams, both on and off stage.”
Members of Encore Stage & Studio’s Board of Directors attended the breakfast and welcomed friends and supporters. (From left to right, starting from back row) Sara Duke, Jerry Gidner, Renee McDonald, Jason Tate, Michael Rollin, Kate Thomas, Jennifer Reising, Betsy Lohmann, Josephine Diemond, Christine Hahn, and Gina Pelusi.
Guests at the breakfast enjoyed watching highlights of Encore’s 2012/2013 year.
“It’s not too late to donate! Click here to support Encore’s outstanding programs.
View our photos on Flickr:
Photos taken by Larry McClemons. Edits by Aimee Pangan. Video by Aileen Pangan
Bringing in March like a Tiger!
March 6, 2013
Encore is bringing in in March like a tiger in its Encore Presents series with Tale of a Tiger: An Afternoon with Rachel Hynes. Don’t miss this exciting performance! Click here to buy your tickets.
Tale of A Tiger is a vital hybrid of captivating storytelling and physical drama about the journey from childhood to adulthood. Created and performed by Rachel Hynes with an unconventional musical score by Ethan Foote, this fairytale tells the story of a solitary young girl who, abandoned by her mother and raised by her cold, embittered father, goes out into the forest and becomes a tiger. Recommended for ages 10 and older.
Also a teaching artist for Encore, Rachel Hynes is an actor, performance artist, director and cabaret artist based in Washington, D.C. Hynes trained in physical and devised theatre at the London International School of Performing Arts and creates storytelling shows, ritual-based, site-specific theatre experiences, performance art spectaculars; lyrical epic dramas; and “wicked little cabaret characters.”
Ethan Foote is a bassist and composer based in Washington, D.C. His original work and his career as a performer have encompassed jazz, folk, classical, and popular idioms, reflecting a breadth of musical interests and tastes. In Tale of a Tiger and Lit, his collaborations with Hynes, he has explored unconventional uses of music within the context of theatrical performance and visual media in an attempt to break new aesthetic ground for performed music, interdisciplinary art, and the double bass.
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A Fairytale Ending Unlike Any Other
March 1, 2013
“Do you swear to tell the truth, the whole truth and nothing but the truth so help you Hans Christian Andersen?” Director of Big Bad, Kristen Pilgrim shares how this production is a fairytale ending unlike any other.
“Big Bad is sort of a ‘where are they now?’-look at some classic fairytale characters. After a previously botched trial (that happens when a giant steps on the courtroom!) the Big Bad Wolf is put on trial for his crimes. Little Red Riding Hood and Grandmother Hood, the Three Little Pigs, and the Boy who Cried Wolf, are represented by the ruthless Fairy Godmother, who despite her love of pink and fairy dust, is out to drain the Wolf dry, because after all, wolves are inherently bad. It seems the only one on Wolf’s side is The Evil Stepmother–and she’s only defending him because she got forced into probono work. Luckily for Wolf though, she’s a darn good lawyer, and as another character unquestioningly cast as the villain, begins to empathize with him. Can the Wolf and Evil Stepmother convince the court that it’s the uncaring world that corrupted this former vegan or will he pay for digesting a live human being (a felony!) and bullying pigs to the point of poor hygiene? The Grimm Sisters report to us live as the entire Enchanted Forest follows the story of our favorite characters as you’ve never seen them before!
Audiences can expect a modern, edgy twist on classic fairy tales that will engage all ages. I like to tell people it’s like “Shrek” meets Judge Judy. There are many layers of humor and quite a few interesting lessons. The Wolf talks about the way he has been shaped by a society which assumes he is bad, to the point where frustrated and alone, he begins to embody the beast everyone fears him to be. Classic characters are given a little more dimension: Little Red Riding Hood and the Boy Who Cried Wolf are actually spoiled brats, and the Three Little Pigs are lacking a few brain cells, with the exception of the 3rd pig, the only one who’s house meets local building codes. The Evil Stepmother questions plot points and exposes these characters for what they are in her examinations, finding a little more of herself along the way. It’s very engaging and challenges the audiences to reexamine how they think about these stories and characters- literally, because the audience is the jury! There are three possible outcomes and the audience decides each night whether the wolf is guilty or not! Each ending has its’ own twist as well, so nothing is ever what it appears to be. We’re really bringing the audience into the story.
I hope that this is a play that will start conversations within families about how appearances can be deceiving, and how everyone has a story: none of us are all good or all evil, but complex individuals. It’s accessible for everyone and like any good story, prompts us to think more about ourselves and our world.
We’ve gone beyond just courtroom too, and have created original commercials to expand the fairy tale world and give it a richer, more widespread identity as a place much like our world–only more magical. So far the show has been really fun because these are stories we’re all familiar with. It’s also fun to help the cast understand some of the legal jargon and proceedings. It also just reinforces for me how important stories are to cultures. We start with fairy tales. Reading and a love for stories do more than entertain us but help us to come together and reflect. I love that I can work on plays that challenge kids to think and that the age range in the cast doesn’t matter because the story is so important and it brings them all together with its’ universality.
–Kristen Pilgrim, Director
Greetings From Honk, Jr. Tech Week
January 10, 2013
From load-in to dress rehearsal, our cast, crew and production staff have all worked very hard for opening weekend. While the cast took some pointers from the crew, the crew learned from the staff, and vice versa. Teamwork is key to any production, and everyone was appreciating each others’ collaborative efforts for the show.
“Choreographing for a group of farm yard animals was an exciting adventure and I’m glad to see how excited they were to take the dance moves to the stage.” -Sarah Conrad, Choreographer
“Tech week is just like the story of The Ugly Ducking, it starts out as an ugly process of trying to get everything done, but in the end, the outcome makes for a beautiful production.” -Jimmy Keady, Master Carpenter
See the trailer of Honk, Jr.
Honk Jr Trailer from Encore Stage on Vimeo.
Check out the exclusive Encore Extra video:
Encore Extra: Honk Jr. from Encore Stage on Vimeo.
Honk, Jr. runs January 11-19 at Thomas Jefferson Community Theatre (125 S. Old Glebe Road Arlington, VA 22204).
Tickets are $12 for adults, $10 for children, students and seniors
Buy tickets online today, or call our box office at (703) 548-1154
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Read the full press release of Honk, Jr.
This production is sponsored by Fairlington Dental.
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Bright Smiles Onstage & Off- Meet Our Honk, Jr. Production Sponsor, Fairlington Dental
- January 7, 2013
We’re very excited to have Fairlington Dental sponsor our winter musical for a second season, we can’t help but smile!
Fairlington Dental has been a part of the Fairlington Community since 1989 with a goal to provide the same level of care they would to their own families in a comfortable, inviting setting. This company is passionate about their work and the community, and we’re grateful for their involvement with our theatre!
Fairlington Dental services include General Dentistry: crowns, bridges, and non-mercury fillings; Cosmetic Dentistry: porcelain veneers, Invisalign Clear Braces, and teeth whitening; Sedation Dentistry: perfect for the dental phobic; TMJ Therapy: non-surgical treatment for migraines and jaw pain; Sleep Apnea: alternatives to CPAP therapy; Oral Surgery: Extractions and tooth implants. Their office is located at 4850 31st St S Suite A, Arlington VA, 22206.
Not only is Fairlington Dental sponsoring our production, they’ve also provided a great addition to our tooth fairy themed raffle with a Comprehensive New Patient Exam, Cleaning, Fluoride, X-rays, and Custom Take Home Whitening Kit from Fairlington Dental. Shelley Duvall’s Faerie Tale Theatre: The Complete Collection, and a fun Pillow Pet is also included in this raffle. Be sure to check our playbills for a great offer from Fairlington Dental.
Honk, Jr. runs January 11-19 at Thomas Jefferson Community Theatre (125 S. Old Glebe Road Arlington, VA 22204).
Tickets are $12 for adults, $10 for children, students and seniors
Buy tickets online today, or call our box office at (703) 548-1154
Learn more about Fairlington Dental today.
office@fairlingtondental.com; (703) 671-1001
Subscribe to Fairlington Dental’s e-newsletter.
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Read the full press release of Honk, Jr.
Heap Helps ‘Honk Jr.’ Hit All the Right Notes

December 20, 2012
Encore was lucky enough to catch up with the Musical Director of Honk, Jr. Matt Heap. Matt has performed on stage and worked on production staff for countless years with Encore. The cast and crew of Honk, Jr. are in very good hands!
Encore: So you have spent time performing in musicals, writing music, lecturing about music, and teaching voice. What is truly your favorite thing to do out of the four?
Matt: There is something about performing that beats everything out – the thrill of live theater. I think that’s why I like teaching at American so much – it’s like a mini-performance each time I give a lecture. I’ve danced, sung, played the piano…all sorts of things in the hopes of entertaining (and educating) these undergrads. So I’m going to go with simply “performing.” Although writing music is awesome too…
Encore: You are now lecturing at American University in the music department. What is it that you are teaching and how is it being on the other side of things?
Matt: I teach musicianship (which is basically ear training/sight singing), theory, and a course called Understanding Music. I’m not sure about that last one – it seems an awfully big goal for just one semester of college. I’m not sure that after 26 years or so of playing music that I truly understand all of it…that’s what’s fascinating. What I also didn’t understand is that professors do a lot (A LOT) of work outside the classroom. I don’t teach any classes on Wednesday, but I spend at least 7 hours grading, preparing lesson materials, meeting with students…that sort of thing. It’s an immense challenge to balance that with my creative work. I’ll figure it out, though!

Matthew Heap at rehearsal for Disney's High School Musical (July 2007) with Ellen Chapin & Jimmy Mavrikes
Encore: So by day you are teaching collegiate level courses and by night teaching our young people music. Do you find it a challenge to switch gears in terms of your audience?
Matt: I’m not sure that there’s that much of a difference between a 9-year old and an undergrad (I’m just kidding! The 9-year old pays more attention (just kidding again!)). Seriously, though, I’ve never really thought of treating children any differently than I treat adults. I’ve always felt that if you treat someone as if they have a certain level of maturity, then they more often than not rise to that level. I expect a lot of the kids in Honk Jr., and so far, I haven’t been disappointed.
Encore: A lot of music/piano teachers insist on teaching theory as a part of their lessons. What do you believe is one of the most important things to understand as someone begins to learn and understand music?
Matt: In music? I think it’s important to realize that nothing we do in music exists in a vacuum. Any time you play a Chopin piece on the piano, you have to understand what he was doing and thinking about (including the larger social and historical contexts) which he was writing to be able to figure out why he wrote what he did. And anything he did was based in the musical traditions that have gone back to the Ancient Greeks (give or take a millennium). Singing a musical theater piece is the same – if you can figure out why the composer wrote it the way they did, you’ll have a better foundation on which to base your performance. That’s what music theory is all about – figuring out the whys rather than just the whats.
Encore: You did you undergraduate and graduate degrees in Pittsburgh, PA at Carnegie Mellon and the University of Pittsburgh. Do you feel that Pittsburgh has a strong appreciation for the arts and music?
Matt: Absolutely – there’s a lot more going on, especially in the music arena, in Pittsburgh than there is in DC (which is surprising to me). While I didn’t get to do much theater performing in my second tenure there, I worked with several new music groups to put on new pieces, and had an orchestra piece read by the Pittsburgh Symphony. For a city that was looked down on for a long time, it has a really thriving arts scene.
Encore: What is your all time favorite Encore show that you were involved with over the years – performing or instructing?
Matt: I can’t limit it to just one…I’m going to name a few. I have a soft spot for My Fair Lady, which was a lot of fun, and had, among other things, a really cool set design. I’m also proud of the Alice in Wonderland that I directed which was really…really weird. But hopefully in a good way. Finally, there was Twelve Dancing Princesses, which I wrote and choreographed that had a lot of my favorite actors from that generation of Encore and some of the best fight choreography I’ve ever done. And a big modern tango/ballet mix-up dance number. I need to find that DVD…
Encore: Everyone is really excited for Honk, Jr to open – how would you describe the style of music for this show?
Matt: The music for Honk is pretty eclectic. There are jazz-standard type pieces for the cat, musical theatre ballads (post-Sondheim type), neat ensemble pieces, and a really cool homage to Dambusters. Truly something for everyone. Be sure to listen to the lyrics – they’re full of cleverness, puns, and cool images. This is definitely a show with a lot of appeal for adults as well as children.
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Photos Courtesy of Larry McClemons
Bring in the Holiday Cheer with Encore Presents: Prelude
- December 7, 2012
Turn off your ipods and radios, it’s time to enjoy holiday music live!
Join Encore for a fun evening of mixed chamber music presented by talented string musicians from Prelude: The Arlington Youth Orchestral Program. Featuring a festive mix of musical styles, this concert offers relaxing break from the rush of the holiday season. The artists are middle- and high-school age players representing two Prelude programs.
Featuring Prelude’s most accomplished musicians, Prelude’s new Chamber Music Program makes its debut with this performance. Under the guidance of Prelude’s Chamber Music Director, these musicians develop deeper musical refinement through demanding repertoire, independent rehearsal techniques, and mentoring younger musicians. Prelude is proud to introduce this fine group of musicians to the Arlington community. Recommended for ages 4 and older.
“We’re delighted to have Prelude participate in our series again this year,” stated Sara Duke, Executive Director of Encore.
Prelude Holiday concert will be held Saturday, December 8 at Theatre on the Run (3700 S. Four Mile Run Dr. Arlington, VA).
Tickets are $8 general admission
Buy tickets online today, or call our box office at (703)548-1154
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Bilbo and Beyond! Interview with Encore’s Hobbit, Sarah Fahrenkrug
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November 27, 2012
We’re so proud to have our students not only join the production family, but also get involved in other areas of Encore. Sarah Fahrenkrug, who recently starred as Bilbo Baggins in The Hobbit had our campers star-struck when she volunteered for our holiday camp this past fall. Now joining crew for Encore’s upcoming production of Honk, Jr., Sarah shares her continuous journey with our organization and like Bilbo, making friends along the way.
What was your first production with Encore, and how was that experience?
Sarah: I was 13 during my first Encore production, The Best Haunted House Ever. I played Frankie, the mischievous prankster, and I had a lot of fun with her character. Our cast was fantastic, and it was truly like a family. The only acting I had done prior to that play was small plays with my church. Our director did not expect everybody on the cast to have an indepth knowledge of theater. He taught us blocking and acting skills in a very fun way for the younger and the older kids.
How did you react when you received the role of Bilbo Baggins?
Sarah: I was completely astonished when I was given my role as Bilbo, and it was a dream come true. It took me a long time to get my brain around the idea that I was going to be Bilbo. During the car ride home with my mom, I am not even sure how much of my conversation she understood, as it was mostly gibberish. For many days after that first rehearsal I was too excited to focus on anything besides my script and the character biography I was already writing. My family had to put up with my random trivia about The Hobbit and Bilbo for many days, and weeks.
What did you like most about working in the production of The Hobbit?
Sarah: Overall, the most enjoyable aspect of The Hobbit was how smoothly everything ran. This is partly because of how well the cast and crew were able to work together, in addition to the fantastic guidance of our director and technical director. Even though we did not have the theater for one of the tech week days, we were able to get everything done on schedule. Also, there was no separation or hierarchy between the cast and crew as there is in some other companies. Everybody, backstage and on-stage, became a family during those six weeks together.
How excited are you for the movie to come out?
Sarah: I am extremely excited for the movie to come out, and I have been counting the days down for months. I am very excited that we have finally passed the 30 day mark, which means tickets have gone on sale!
In what ways are you and Bilbo Baggins similar? Different?
Sarah: Bilbo was a fantastic character to undertake as there are many similarities between the two of us. Throughout the story, despite his hesitation at the beginning, Bilbo is extremely loyal to the company. My loyalty to my friends is similar to Bilbo’s, but I haven’t had to fight a dragon for them yet. Also, he is very clever in finding a way out of tricky situations, such as in the moments with Gollum or Smaug. However, there are also differences between us. Aside from the obvious physical differences (no hairy feet or curly hair, not a boy, not 3 feet tall), there are personality traits that differentiate. While Bilbo enjoys hearing himself talk, especially in his diary, I prefer to listen and absorb information. His character journey, from a scared, selfish hobbit to a clever, altruistic hobbit, is overall a journey that many people can relate to, which is what makes him such a strong character.
Now you’re working on crew for Honk, Jr.-What do you enjoy most about working backstage?
Sarah: This is my fourth time doing crew with Encore and I have enjoyed each experience. Overall, it is very different from working on cast. This is partly because of the size; a crew typically has 10-12 people instead of the cast size of 25-26. It is extremely satisfying to understand what it takes backstage in order to let the show run smoothly. Until my first time on crew, I didn’t realize how many jobs have to be done: lights, sound, flies, assistant stage manager, props, runners. Every job is important, and things go badly if even one person is missing. Also, an exciting part of working on crew is the shop. The crew is responsible for building the set, so every so often we meet on Saturdays to build it. Shop days normally mean 10 teenagers locked in a room for a few hours, so we get pretty crazy.
You’ve been a terrific volunteer for Encore with the new mini-camps–Did you have any fun or silly moments with the campers?
Sarah: One of my favorite moments from the first camp I did was the kids reactions when they realized I still had Bilbo’s magic ring in my pocket. I had many kids try it on to see if they could also become invisible like I did on stage!
What have you taken away from your experience with Encore thus far?
Sarah: I have learned so many things from my few years with Encore, so it is hard to pick a favorite take away. However, if I were to pick the lesson that has truly stayed with me, it is that everybody is important. From the star of the show to the parent helping with concessions, everybody is an important part of putting on the show. I think so often people forget how the people onstage got to be there. Encore has given me to opportunity to begin to understand how much work goes into allowing these shows to happen. My favorite moment with Encore would be working in the shop for the winter show last year, Darius the Dragon and Rap-unzel. Due to the extensive set, the set designer requested that we put in extra hours during the week if we were available. That was when I met one of my closest friends, and we had so much fun preparing the “boulders” for the paper-mache. We bonded over Broadway musicals and Christmas carols; it was amazing to find out how much besides theater we had in common.
Photo Credit: Larry McClemons and Aileen Pangan
Greetings From Tech Week For The Hobbit
- October 25, 2012
Goblins, Elves, & Hobbits, Oh My! Everyone is hard at work during tech week! Just to review, “tech week” refers to the week prior to opening night of a production and involves everyone from the actors and technical crew to production staff and more. The actors and technical crew have all of their cues and lines memorized and will be focused on familiarizing themselves with the set and props. It’s a very busy week for everyone involved in the production, but a sight to see when the show comes together.
Hear from the cast, crew and production staff about tech week and the show.
“It’s all coming together!” -Kristen Pilgrim (Assistant Director/Fight Choreographer)
“The play is looking good!” -James Randall (Goblin, Tom, Smaug)
“The costumes look amazing, I really like the beards because it’s not every day I get to play a man. So far, no meltdowns, it’s looking good!” -Carly Greenfield (Kili)
“I think that the show is very, very, very, good.” -Sam Barrett (Essie, Goblin Attendant)
“The kids are doing a great job.” -Samantha Owen (Assistant Technical Director)
“I think the show is going to be great.” -Will Lynch (Goblin King)
Looking forward to seeing you all at the show!
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Read the production press release!