Announcing the 2017/18 STAR Award Winners!
On this joyous #FrontRowFriday, we’re happy to announce the 2017/18 winners of Encore’s STAR Award! These dedicated Encore students must have participated in at least eight Encore Stage & Studio productions: two onstage, two backstage as a member of tech crew, three in either capacity, and one as part of front of house crew. They join the ranks of many other Encore actors and technicians that have expanded their own boundaries and areas of expertise.


Henry Hubbard

Caitlyn Knittig

Hannah Knittig

Kelly McArdle

Ian Onufrak
Congratulations to all of our STAR Award winners for all of their hard work and accomplishments! We welcome you to celebrate these recipients at their award ceremony on Sunday, June 17th. To add to the fun, be a “star” of your own making by joining in on some Hamil-tunes as we celebrate Encore’s 50th birthday with sweet treats and the sweetest treat of all…our season reveal! You won’t want to “Wait for It,” so don’t throw away “Your Shot” to party with us!
Photos by Larry McClemons and Aileen Pangan. Blog contribution by Shannon McCarthy.
Posted on June 8, 2018 by Shannon McCarthy
Latest Encore News, Recommended Reading: Production, Recommended Reading: Staff/Board, The Front Row
#FrontRowFriday, awards, backstage, Caitlyn Knittig, crewtons, dedication, ella mchugh, front of house, Front Row Friday, Hannah Knittig, hard work, Henry Hubbard, Ian Onufrak, Isabel Dines, Kelly McArdle, onstage, star award, theatre by kids for kids, theatre for kids by kids
Happy Summer Faces with Kelsey Meiklejohn
Welcome back for another #TechTuesday! We hope you’re hungry for more of an inside look at what’s in store for our #EncoreSummer. Today we’re sitting down with Secondary Education Programs Manager Kelsey Meiklejohn to hear what’s giving her a “Happy Face.”
Encore: Which Encore camp(s) are you involved in this upcoming summer?
Kelsey Meiklejohn: Bye, Bye, Birdie YPE. I wish I could be involved in all of them, but I have one more summer of my Graduate Program!

Encore: What’s your favorite part of summer camp?
KM: My favorite part is hearing all of the ideas and creativity the students bring to the productions we put on at our Stage Door & Tech Camps. We always end up with some unique character moment or set piece that I would never have thought about. It is the students’ investment in the show that brings it to life, I am just glad I get to help guide us all working together!

Encore: What is the best memory you have from past camps you’ve worked on as staff?
KM: My favorite memory is the spirit days, especially seeing both students and teachers dress as their favorite musical characters. I remember one year the staff came as the Jets from West Side Story and I came in as The Little Redheaded Girl from You’re a Good Man Charlie Brown. There are so many unique characters and both the campers and staff get to learn about more musicals!

Encore: Did you attend a theatre/arts camp as a child? If so, what’s been the most lasting impression that experience has had on you?
KM: I got to attend an Arts & Science camp as a child, and loved seeing how the arts and sciences truly work together! I would do theatre or dance in the morning and then organic chemistry or physics in the afternoon. The diversity of thought in the program was great and when we needed a stage effect with a bubbling cauldron we could use what we learned in the science classroom the day before to make it. It really instilled in me the importance of learning everything you can, because then you can engage with so many different aspects of theatre or other disciplines.

Encore: What are you most looking forward to about this #EncoreSummer?
KM: I am looking forward to introducing students to one of my FAVORITE musicals! Bye, Bye, Birdie is full of youthful energy and silliness and fun and getting to share that with students already has me singing “Put on a Happy Face” in the car!
Your faces will match Kelsey’s happy one if you join us for Stage Door/Tech Camp this summer. Wave bye bye to Birdie, rescue a princess with Shrek, or fly off to Neverland – no matter which adventure you choose, you’ll be treated to three weeks of collaboration, creativity, and fun! Click here to sign up for a summer camp today.
Photos by Aileen Pangan, Aimee Pangan, Shannon McCarthy, and Rosemarie O’Connor. Blog contribution by Shannon McCarthy.
Posted on May 15, 2018 by Shannon McCarthy
Latest Encore News, Recommended Reading: Staff/Board, Recommended Reading: Summer, The Front Row
#techtuesday, bye bye birdie, camp director, encore summer, interview, Kelsey Meiklejohn, spirit days, Stage Door, summer camp, tech tuesday, theatre by kids for kids, theatre camp, theatre for kids by kids
So Much More! #SummerPlanningSunday with Madaline Langston
Happy #SummerPlanningSunday, Encore friends! This weekend we’re excited to share an interview with Education Programs Manager, Madaline Langston. You might remember our previous interview with Madaline, but today we’re looking ahead to 2018’s #EncoreSummer. We hope this sneak peek gets you ready to jump in!

Encore: Which Encore camp(s) are you involved in this upcoming summer?
Madaline Langston: This summer my focus will be on coordinating The Healthy Play Initiative. HPI is an ongoing partnership with the Arlington Food Assistance Center, serving ages 2-5 in the Arlington Community at Arlington Mill Community Center, as well as the Gates of Boston Community Center in the Buckingham area, while physically maintaining the daily operations of Encore’s partnership with Lola’s Lab and It’s Elementary summer camps. Lola’s Lab runs June 25th- July 6th. HPI and It’s Elementary will run thru the end of August.

What’s your favorite part of summer camp?
ML: My favorite part of camp is seeing the vision come to life and seeing the smiles and hearing the sounds of laughter of each camper.

What is the best memory you have from past camps you’ve worked on as staff?
ML: When I first began teaching at It’s Elementary many moons ago, the staff prepared talent to showcase for the campers. It was hilarious. This is now a tradition at the It’s Elementary camps. Every year each teacher brings a new talent to the stage.

Did you attend a theatre/arts camp as a child? If so, what’s been the most lasting impression that experience has had on you?
ML: I did not attend a Theater Arts Camp. When I was a child, I had many opportunities to perform in the school system. During the summer, as a Camp Fire girl, we would take trips to New York to see Broadway shows, go camping and other events in which we were encouraged to sing, participate in Arts and Crafts, swimming etc…

What are you most looking forward to about this #EncoreSummer?
ML: I am looking forward to observing the individual accomplishments achieved at our camps. Success looks different to each camper. Perhaps you attend our camps to make friends, develop confidence, overcome shyness, visual arts, performance, to learn about theatre and so much more.

Thank you for sharing your plans for your #EncoreSummer, Ms. Madaline! Still searching for your perfect summer theatre adventure? Fear not! We’ve got something for everyone – from pirates to Lost Boys and Shakespearean lords and ladies. With camps geared from ages 4-18, let this be the summer you dive into the theatrical deep end. Don’t be left on shore – click here to register today!
Photos by Larry McClemons, Shannon McCarthy, and Aileen Pangan. Blog contribution by Shannon McCarthy.
Posted on May 14, 2018 by Shannon McCarthy
Latest Encore News, Recommended Reading: Staff/Board, Recommended Reading: Summer, The Front Row
camp director, education theatre camp, encore summer, Healthy Play Initiative, HPI, interview, it's elementary, madaline langston, summer camp, theatre by kids for kids, theatre camp, theatre for kids by kids
Susan Keady Named 2018 Connect with Kids Champion
We’ve got a very exciting #TechTuesday for you today, folks. Whether you’ve auditioned for one of her shows, worked on a monologue with her one-on-one, or been cheered on by her at the Costume Caper 5K, you know that Artistic Director Susan Keady makes every person feel special.
For anyone who has had the pleasure of working with Susan, it will come as no surprise that she has been named a 2018 Connect With Kids Champion by the Arlington Partnership for Children, Youth and Families. The APCYF describes this honor in the following manner: “What sets a CWK Champion apart is their intentional and deliberate attentiveness to the needs of young people. In recognizing community Champions, we celebrate adults who make the time to build relationships with children and teens.”

“I love when alumni students come back to see a production and stay to report to Susan about their first speech they gave in a public speaking class, the role they got cast in in their university’s production, or hearing about how their leadership skills from Encore got them a promotion at work,” says Sara Duke, Encore Executive Director. “Susan’s work to create a community with all of her casts shows when kids come back and reunite at the next Encore production or sign-up to audition for the next show.”
We are so lucky and proud to call Susan such an essential part of our Encore family. She has been a crucial creator, a Geppetto to our Pinocchio, if you will, shaping the history of “Theatre by kids, for kids” here in Arlington. Click here to catch up on one of our previous interview with Susan.
The award presentation will be held on Thursday, May 10 from 7:00pm-8:30pm in the lower level Auditorium of Stambaugh Hall, the main DHS building (2100 Washington Blvd). The program will begin at 7:30pm. Please RSVP with Michael Swisher at mswish@arlingtonva.us.

Congratulations again, Susan. To us, you’ll always be the cat’s meow!
Photos by Aileen Pangan and Aimee Pangan. Blog contribution by Shannon McCarthy.
Posted on May 1, 2018 by Shannon McCarthy
Latest Encore News, Recommended Reading: Awards, Recommended Reading: Staff/Board, The Front Row
#techtuesday, Arlington Partnership for Children Youth and Families, arlington va, Artistic Director, awards, Childrens Theatre of Arl, Connect with Kids Champion, encore, Encore staff, Susan A Keady, susan keady, tech tuesday
Bridging the Gap with Arts Apprentice A.K. Nell
Happy #TechTuesday, Encore fans! Today, we check back in with this season’s Arts Apprentice, A.K. Nell. We sat down with her early in the season, so be sure to catch up on her interview before diving into today’s chat about Encore’s work with community groups.
Encore: Welcome back to the Front Row blog! Can you tell us more about your current projects?
A.K. Nell: I got the chance to work with 4th and 5th grade students at Ashlawn Elementary School putting on the musical Princess Whatsername! The story is about a princess who finds herself lost and confused about who she is and where she’s going. On her journey, she meets many familiar characters who help her along her way. The show is really funny and a great production for elementary school students to enjoy!
We had a cast of 32 students and a tech team of 8 that we met with twice a week after school to put the show together. The cast worked on blocking, music, and choreography while the tech students painted and put together the scenery and props. The whole process was 9 weeks long, from the very first rehearsal to the final performance. At the end of our process, we put on a daytime performance for the students at Ashlawn Elementary and an evening show for parents and invited guests.
I’m currently working with the Meridian Homeschool group on a production of Big Bad which follows the story of the Big Bad Wolf as he is tried for all of his fairy tale crimes. The show is designed for the audience to act as the jury in the courtroom and written-in audience participation encourages them to help determine the verdict of the trial. Big Bad is a very witty and smart play that I think is perfect for elementary and middle school students.
We will meet with the students once a week for about 11 weeks to prepare the onstage and offstage elements of the show. With our group of 15, everyone will get the chance to act as a designer on the tech team as well as perform onstage in the show. We will give a final performance at Encore’s main campus at the end of our production process.

Encore: What’s the main focus of the program? Please describe the audition and rehearsal process for us.
AN: I think the simplest answer to this question is that our main focus and priority is to create a fully staged final production. While this is definitely a big part of the process and one that all the students look forward to, the process itself is just as important and valuable as the end result.
The rehearsal process actually begins the very first time we meet with the students. There is no prior audition time required because everyone who signs up for the residency will get to be a part of the production. I like to start by reading the script with everyone who is participating (both cast and crew) so that we all get familiar with what happens in the show. From there, we hold “auditions” for the cast by playing some improv games to see how the students work with one another and what interesting choices they make. It’s a lot easier to cast a show after you can see the interactions of your ensemble and determine who will be a good fit for each role.
Once the show is cast, it’s time to dive in! One of my favorite parts of the whole rehearsal process is the beginning stage as everyone is fitting into their roles, making discoveries about how their character walks, talks, thinks, acts, and feels. I love working with the students on characterization because [having a strong understanding of your character makes building the story a lot easier].
During our rehearsals, we teach the students warm-up games to get their bodies and minds moving so that we can have a focused and productive rehearsal. When we are rehearsing music or movement, we take the time to go over the words and/or steps slowly and repetitively so that everyone can get the hang of it before we move on. It is really important to me that every student feels successful in their art and that we are helping them to achieve that in any way we can. Due to the large number of students, it can be challenging at times to get the entire group focused and working constructively so we hold unit rehearsals. Unit rehearsals are days when only a few characters or ensembles will meet for rehearsal so that we can get concentrated work time on their blocking and staging in the show. We structure the schedule with many unit rehearsals towards the beginning of the process so that once we have meet with groups individually and pieced together the show, we will be ready to meet as the whole group to put it all together.

Encore: What’s the most rewarding part of directing fourth and fifth graders? How about the most challenging?
AN: For me, working with fourth and fifth graders was really exciting because they are young enough to have really interesting and imaginative ideas but old enough to be able to handle working on a full production. They have creative minds that come up with very unique characters and insights into the story. I really love when they come to me and share something so exciting about their characters’ voices or how their group is going to move physically. Their eyes light up as they speak and you can tell they are overjoyed with their discoveries. There is no limit to their imagination and they find the coolest ways to incorporate their inventive ideas into the story that we are telling.
If there is anything challenging about working with this age group, I’d say that sometimes they are a little too social for the rehearsal room – haha! It can be hard at times to get them transitioned into the rehearsal space and a productive, focused rehearsal, but we definitely love seeing our students make new friends and get excited about their work!

Encore: Please describe the residency in five words or short phrases.
AN: Oh boy, haha – only 5 phrases?! I guess I would say that the experience was exhilarating, collaborative, energizing, challenging at times, and very very rewarding.

Encore: In your opinion, why is this artistic residency program an important part of Encore’s mission?
AN: This program really gives students the opportunity to take theatre a step outside the classroom. While we are educating and teaching the students about music, vocalization, stage presence, and character development, we also have the additional goal of working towards a final production. Our camps and classes at Encore have a bigger focus on theatre education and have a “work-in-progress” presentation at the end of the session. In the residency, we bridge the gap between the education world and the production world because students get to experience both with a more solid focus on the end product.
I am having such a great time working on these artistic residencies with Encore because it gives me the opportunity to bring education and production in a way that is new and exciting for me too.
Thank you for sharing all about this wonderful program, A.K.! If you’re interested in bringing an Encore residency to your school, please info@encorestage.org for more information.
Photos by Deborah Candeub. Blog contribution by Shannon McCarthy.
Posted on April 17, 2018 by Shannon McCarthy
Latest Encore News, Recommended Reading: Staff/Board, The Front Row
A.K. Nell, AK Nell, artistic residency, arts apprentice, Ashlawn, Ashlawn Elementary, directing, education, home school, home school opportunities, home schooling, interview, Meridian Homeschool group, residency, theatre by kids for kids, theatre for kids by kids
Paying Attention with Lighting Designer Ian Claar #TechTuesday
Time to make like good actors and “find your light,” because today’s #TechTuesday post features lighting designer Ian Claar. We’re excited to learn more about his background in tech, as well as his vision for James and the Giant Peach, opening this Friday!

Encore: Thank you for joining us on the Front Row blog. Could you share a bit about your background and how you’re involving with Encore?
Ian: My name is Ian Claar, and I’ve been involved in theatre since the age of 12. I began learning lights in community theatre before taking professional jobs, and eventually also studying to, and becoming a stage combat choreographer. [Ian has also designed lights for last season’s Godspell and The Tempest, as well as assistant lighting designing multiple shows in Encore’s 2016-17 and 2017-18 seasons.]

Encore: What is your earliest theatrical memory? What prompted you to get involved in the arts?
IC: I began my theatrical journey when my middle school decided to put on its first ever production. I had already been involved in the morning news show, and so was asked if I wanted to run lights. After that, I just never stopped.

Could you briefly describe your creative process when it comes to lighting design? Does it remain generally the same or does it vary by show?
IC: I always start generally the same way. Reading a script and getting a sense of the environment and mood, and then talking with the director to understand their vision and begin to form more concrete ideas about how the lighting can enhance the other aspects of the production design.

Encore: How does your approach differ when designing for a black box space and a more traditional proscenium theater?
IC: I certainly prefer designing for black box over proscenium. There’s so much more opportunity to make an inclusive and intimate environment with which to draw an audience into the world of the play. That being said, the approach for proscenium, in my mind, becomes a much simpler forward-back approach, to the thinking from every side element of black box.

Please describe your design for James in the Giant Peach in three words or short phrases.
IC: Whimsy, color, depth.

Encore: What would you recommend to any young people who might be interested in lighting design?
IC: Get involved in the arts in your area. Theatre, dance, high school, anything. Start learning about the processes of the people already doing it and form your own method. Pay attention to your everyday environment. How does lighting play a role in a sunny day vs a cloudy one? How to do the lights in your living room differ from your school or office? How do movies and TV use colors to influence the mood of the scene? As designers, we must think creatively about all aspects of the world we live in.
Thank you for your thoughtful insight, Ian! We are so lucky to have talented designers like you working with Encore students to create fantastic and beautiful shows. You won’t want to miss out on Ian’s latest designs in James and the Giant Peach, opening this Friday. Get your tickets today!
Photos by: Larry McClemons and Aileen Pangan. Graphic design by: Aimee Pangan. Blog contribution by Shannon McCarthy.
Posted on April 3, 2018 by Shannon McCarthy
#TechTuesday w/ Puppet Master Martha-Grace Moore
Happy #TechTuesday, everyone! Today we have the pleasure of sharing our interview with actor, director, teaching artist, and prop manager extraordinaire Martha-Grace Moore. As multi-talented as she is, she’s been up to a lot since we last spoke to her last season. Read on to find out more!
Encore: Welcome back to the Front Row Blog! Since our last interview from the 2016/2017 season, which shows have you worked on and which staff roles have you stepped into with Encore?
Martha-Grace: Thanks for having me! It’s been a busy season for Encore, and I’ve been fortunate to have been along for the ride. I’ve gotten to continue my Teaching Artist work this season, and I just finished as Co-Director on The Lion King Jr. This fall, I was the writer, director, and one of the actors in Jungle of Bungaloo (a new work for the very young), I’m working as the Props Manager this season, and I’ve gotten to work on puppets for many of this season’s shows.

Encore: On which show are you currently working?
M-G: Right now, I’m busy working on the props and puppets for James and the Giant Peach. There are going to be tons of fun puppets in this one, and I’m very excited to see this kooky story brought to life!
Encore: What interested you about creating props and puppets?
M-G: While I was studying abroad in London during undergrad, I had the good fortune of being able to see War Horse at the Royal National Theatre, which absolutely blew my mind. The Handspring Puppet Company worked on that production to create life size horse puppets that are some of the most amazingly expressive puppets I have ever seen. That show has really stuck with me. I love that puppets can be this amazing tool for exploring character and expanding the storytelling experience.
Encore: Where/how did you learn your techniques?
M-G: I had actually never worked on puppet-making before Bungaloo, so my process has incorporated a great deal of trial and error, phoning a friend (which often means popping into the staff offices to get second opinions on ideas and designs), and researching basic puppet structures that I can work on and add to. This season, I have tried to re-use existing materials as much as possible, which has often been an excellent spring board to get the ideas flowing. Sometimes it’s easier to see where the puppet is headed if it starts as a material or object that already has shape and form.
Encore: What has been the most satisfying moment of the puppet-making process for you?
M-G: I love the moment when I realize that something is actually going to work. Most of the time, this happens when the puppet just looks like a weird skeleton of wires and rods, but when I get to that moment when the interior mechanism works, it’s the best feeling because I know that the puppet will have life onstage. It has also been satisfying for me to be able to re-use materials, and even puppets, from show to show. Drew the Spider from Bungaloo will be making a cameo appearance in James, and the giraffes from Lion King might make an appearance in Seussical this summer…

Encore: What’s been the most challenging or complex piece you’ve created?
M-G: The most challenging piece I’ve created this season was Pru the Bat in Bungaloo. It was the first puppet with a moving piece that I ever built, and it took a lot of tries to get her wings to articulate and flap. The most complex pieces I have worked on so far were the giraffes in The Lion King Jr. We had several people working on those puppets because they were so huge and needed many brains firing at full capacity to make successful designs. The baby giraffe with wiggling ears was so cute it made me want to cry.
Encore: Any advice for young creators who might be interested in puppetry?
M-G: Experiment at home with recycled materials, take classes and workshops in puppetry, and go see productions that incorporate puppets! It is such a wonderful theatre medium, and all you need to get started is the desire to learn more.
Many thanks to Martha-Grace for taking the time to share her process with us. Be sure to check out her excellent puppets in Musical Theatre Intensive’s upcoming production of James and the Giant Peach, running April 6th-15th. Click here to order your tickets today!
Photos by Aileen Pangan and A.K. Nell. Graphic design by Aimee Pangan. Blog contribution by Shannon McCarthy.
Posted on March 13, 2018 by Shannon McCarthy
Remembering Marji Jepperson
We are sad to share the passing of Marji Jepperson, a former Encore director and actor, props master and dear member of our Encore family. She brought tremendous joy to working with the children of our organization for almost 20 years. We’re delighted to share some of the many memories of Marji from our Encore family:

Seussical was the first show I did with Encore and Marji was the director. I was so excited to be in the show but at the same time such a shy little 15 year old. It was my first time performing in such a big theatrical performance and I wasn’t the most outgoing at that time. Susan still tells stories of how shy I was then compared to how much I have grown out of my shell now! But Marji saw something in me, hence choosing me to be in the performance, which was my first step to becoming part of the Encore family which I love so dearly, so for that I am forever grateful! Marji asked me to be the dance captain for Godspell the following year because she remembered my dancing in Seussical, which made me so excited because I thought I was just a quiet little nobody then! She was always so happy to see everyone at rehearsal and supported each show by making her own show sweatshirt. I was lucky enough to get the opportunity to work on the production side with her in a number of shows, most closely in Cinderella where she directed and I choreographed. Marji was such a sweet soul, kind to all and always with a gentle way about her!
-Sarah Conrad
I met Marji many many years ago through Encore (when it was still The Children’s Theatre). She was funny, creative, always cheerful. I worked with her on more shows than I can remember, when we were both designers and when she was the director. Her props were always inventive (and glitzy!) More importantly, she guided both my children through multiple productions, encouraging them, teaching them skills they still use today, mentoring them. She was unfailingly kind. When her health problems became more significant, she did not complain but kept working her magic. I am sure it took a lot out of her but she seemed indefatigable. My daughter describes her as always loving and filled with joy. Her customized bags and shirts for every show- such a fun spirit. She was a trouper. She is tremendously missed.
-Debra Leonard
Our Marji memory is her warmth and her kindness, along with her custom sweatshirts for every show!
-The Meek family
My favorite Marji memory is that whenever we came into rehearsal for Once Upon A Mattress she was happy to be there and thrilled to see us. She obviously loved the rehearsal process and building a show and her passion rubbed off on the cast.
-Rosemarie O’Connor
Marji Jepperson directed shows for many Encore seasons including Darius the Dragon and Rap-Punzel (2012), Honk! Jr. (2013), and Once Upon a Mattress (2014)
I deeply enjoyed getting to know Marji Jepperson over the past 10 years. She had a gift for working with children and knew how to create a warm and welcoming environment where they could express themselves. I will miss her wonderful smile, patient soul and fantastic sweatshirts. Thank you for the lasting impact you had on our organization Marji!
-Sara Strehle Duke
While lighting nearly 30 shows for Encore, I have had the pleasure of working with Marji in many of her capacities: Director, props maven, choreographer, actor, kid wrangler, friend & mother (to name a few). She was smart, funny, occasionally a bit crusty, wise, courageous, talented, kind and my pal. She is and will be missed.
-Gary Hauptman
Marji has been a Rockstar for Encore. I have been with Encore for years as a independent contractor and even though our paths did not cross as often as I would have liked, I had always heard of her great work and what a great person she was and how easy it is to work this. As I became full time with the organization and had the pleasure of speaking with her. At the first moment of meeting her I was able to understand why she was so beloved.
-Madaline Langston

I remember how much each cast meant to Marji. I think each subsequent cast became her favorite one. I also remember how much she wanted to protect the props. I’m very thankful and fortunate to have had the opportunity to be a member of one of her casts.
-Richard Kashmanian
It was always such a joy to see Marji at the theatre, from directing shows, to seeing her fabulous props and set dressing, and just her presence on opening weekends in her amazing show sweaters. She is the definition of Encore spirit. Thank you for your inspiring creativity, joyful spirit and kindness.
-Aileen Pangan
Marji created the beautiful props and set dressing for many shows including:
On my first day at Encore, I was introduced to Marji and Kristen as the “mother daughter dream team.” I don’t believe I’ll ever think of them any other way. It was inspiring to see a mother and daughter working so well together. It always brought a smile to my face to see Marji at the theatre. She exuded positive energy and her laugh was infectious. She was such a creative soul from crafting so many imaginative props to her personalized show sweaters. I’ll always think of Marji wearing one of her sweaters smiling in the back of a theatre seeing her work onstage.
-Rebecca Pfeil
Marji Jepperson’s round cheeked, sparkle-eyed, angelic face appeared to me to be fairy godmother-like. Unruffled, unflappable, a benign countenance that seem to say, “I have seen everything and done everything in theater, and whatever new crisis is or will be upon us, I will handle.”
I can see her churning butter during Oklahoma’s, “Oh, What a Beautiful Morning”; herding recalcitrant teens in West Side Story; hauling enough Cat in the Hat dolls (from the Dollar Store!) to hang across the whole proscenium for the first Seussical. She loaned books, toys, and a portrait of Queen Victoria for the display window. Her creative hand will be missed everywhere.
-Sherry Gainer
I sat and thought for a long time, staring at a blank page, thinking of the best way that I could convey my relationship with Marji over the years. Running through a list of shows we did together (I lost count…at least 20) over the 20 years we knew each other seemed too rote. Instead, I thought I’d share a scattering of images from over the years…a view of Marji from all sides in the hopes that you can piece together what I can’t put in words. First, a dance from West Side Story. Marji was choreographer. It was the Jets Song that starts the show. We’re all trying to do this step where we’re linked up like a kick-line, and we all take a step right (in front of the next person) and then a step left. We’re a bunch of gangly teenagers, and needless to say, it does not go well the first time. Or second time. Or 50th time. I remember Marji as the soul of patience getting us through rehearsal after rehearsal until it was right. Quite a few years later we were doing Oklahoma, again with Marji choreographing. She managed to make me as credible a ballet-ish dancer as I was ever going to be…and then Aunt Eller dropped out a couple of weeks before opening and Marji stepped into the breach without hesitation (and was much better). She also was skeptical of the number of cymbal crashes I’d put in the orchestration in that show. She was right to be…I’d used them to cover any time I’d made a mistake…plus cymbal crashes always make things sound more exciting! Going back again, Marji played my mother, Mrs. Higgins, in My Fair Lady. I was still a young and naïve actor, and watching Marji was a masterclass in professionalism. I remember all the ridiculous props I asked for over the years that were realized better than I could have imagined and with only a little good-natured grumbling. I remember Marji pulling emotions out of me that I didn’t think I had in Godspell. I’ll always remember Marji and the kind words she had for everyone. I’m so sad that she’s gone, but she will live on in my heart and in the hearts of everyone she worked with.
-Matthew Heap
We will be celebrating her life and legacy tonight on Monday, January 29 from 6:30 – 8:30 pm at Encore’s Offices (St. Andrews Episcopal Church 4000 Lorcom Lane Arlington, VA 22207). The program will begin at 7:00 pm. All are welcome.
Photos by Larry McClemons, Madeline Pages and Aileen Pangan
Posted on January 29, 2018 by admin
Meet 2017/2018 Arts Apprentice, A.K. Nell
We’re so thrilled to introduce you to a new face on Encore’s campus. Her name is A.K. Nell and she is Encore’s 2017-2018 Arts Apprentice.
A.K, tell us a little bit about yourself.
A.K.: I’m so excited to join the Encore team and share my passion for creating and inspiring art! I will be around as the Arts Apprentice for the ‘17-’18 season and hopefully as a member of Encore’s Family for life!
I’ve been a part of the performing arts world for as long as I can remember. From singing in choir, to playing in orchestra, to putting on puppet shows in the kitchen, I found my niche at an early age. When I was six, I was cast in my first onstage role as “Molly” in Annie. From that point on, I was hooked! I auditioned and took part in as many shows as I could; it even became pretty typical that my schedule could included rehearsals, load in, performances, and strike for more than 1 show at a time. And I loved every second of it.
While I started out as an onstage performer, I found a great fascination for the backstage world as I entered high school. Working at different theatres around the DMV, I was able to experience all sides of production from acting and singing onstage to running light and sound boards, building sets, calling shows, teaching stage combat, and directing. I continued to develop a love for the inner workings of theatre production and gained a new interest in sharing theatre with others. I followed these passions to Allentown, PA where I studied Directing for Theatre and Psychology at Muhlenberg College, earning a BA and graduating in May of 2016.
At Muhlenberg, I was granted some really amazing opportunities and worked alongside some of the best instructors and artists in the business. As I became more and more interested in the exchanging and collaborating of ideas in theatre, I developed a great joy in sharing that with other people. I was given the opportunity of working on a student-written, documentary-style piece about many of the identity issues that young people struggle with growing up. I worked with my team, both cast and crew, to create a devised theatre piece opening up a conversation with audiences about these sensitive topics. This greatly enhanced my interest in working with youth and using theatre as a way to create community and connect ourselves with the world around us.
As my interest in working with young people grew, I eagerly accepted a job and followed my passion to Paris, France where I spent my first year after college working as an au pair for a family with four young children (aging from 6 months to 8 years old). My experience in Paris gave me a new perspective on working with kids and opened me up to the exciting and innovative ways that kids of different kinds come together to play and create. It was exhilarating to be in a new place but still feel so connected through the concept of play, pretend, and imagination. It’s the same in every language.
What do you do as the Arts Apprentice at Encore? What are you enjoying most about Encore Stage & Studio?
A.K.: At Encore, I have a wide range of jobs and responsibilities. I get to work in the office where I answer phone calls, help with projects, coordinate workshops, and see how a professional children’s theatre is run from the inside-out. This has been really exciting for me to get to see and take part in the other side of the arts world that, as a performer, I was not very aware of. There is so much that goes into running a professional theatre aside from the performers onstage or even production team. There are a whole slew of people in the background who work to ensure that our goals as a company are being met.
Already in my time here, I have gotten to work hands-on in the theatre and with the kids. On Mondays and Fridays I get the great opportunity of giving back to the community by providing education fun childcare for families while they get their groceries.
I’ve also had a lot of fun creating activity guides that we have put in the show programs and handed out at out Theatre for the Very Young performances. I have enjoyed creating something both fun and educational to share with our families and students to enhance and extend their experience of the show.
I’ve been able to work a lot with the children in Encore’s camps, classes, and afterschool programs. I’ve really loved getting to work with kids in all the different environments and communities to introduce them to theatre and bring structured play into their experience. It’s really been incredible to be “thrown in” since day one. I feel like already in my short time here I have become part of the team and have been entrusted with carrying around the Encore name with me wherever I go. And that is something I am very proud of.
What are you looking forward to for the rest of the season?
A.K.: I am very excited to have the opportunity of directing our in-school program the spring. I think it will be an amazing opportunity to go into a school setting and bring theatre to the students there who might not otherwise have the chance to experience it. I love working with kids of all ages and experience, so I am very much looking forward to working with those students to put on a really great show, that they can call their own!
I am also looking forward to working with more and more members of the Encore Family as the season continues. Everyone involved from the students in class, to parent volunteers, up to the members of our board, everyone at Encore has been so kind to me and made me feel welcome and a part of the family from the very start. I can’t wait to continue working with everyone and sharing the love and commitment to creating theatre by kids, for kids!
Some fun facts: Do you have any hobbies or special interests apart from theatre?
A.K.: When I’m not around the theatre, I really enjoy spending time outside and reading. As my second major was Psychology, I have been interested in reading about behavioral psychology and psych of the mind. When I returned from France, I joined the Northern Virginia women’s rugby team since I had played in college and was looking for a way to get active again.
I can’t wait to see what comes next!
Posted on January 18, 2018 by admin
Encore Stage & Studio wins Best of NOVA 2017 Children’s Theater!
We’re so honored to receive the title of Best of NOVA 2017 Children’s Theater from Northern Virginia Magazine!
“Theatre by kids, for kids!” For 50 years, Encore Stage & Studio has given children in Arlington an opportunity to grow and discover themselves through theatre: onstage, backstage, in the classroom, and in the audience. Encore strives to educate and entertain by offering productions each season that are by and for young people, and through enriching classes and workshops with qualified, enthusiastic teaching artists. Encore Stage & Studio is committed to promoting inclusion and equitable access to all of its programs. We believe that an artistic community is enhanced through diversity. We believe that participating in live theatre builds problem-solving skills, teamwork, creativity, literacy, and self-confidence. We are cultivating the next generation of active and engaged art lovers.
Posted on October 12, 2017 by admin






















